FUJIFILM GFX 50R Medium Format Mirrorless Camera (Body Only)

FUJIFILM GFX 50R Medium Format Mirrorless Camera (Body Only)

B&H # FUGFX50R MFR # 600020523
FUJIFILM GFX 50R Medium Format Mirrorless Camera (Body Only)
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Product Highlights

  • Rangefinder-Inspired Body Design
  • 51.4MP 43.8 x 32.9mm CMOS Sensor
  • X-Processor Pro Image Processor
  • Built-In 3.69m-Dot 0.77x OLED EVF
  • 3.2" 2.36m-Dot Tilting Touchscreen LCD
  • 117-Point Contrast-Detection AF System
  • Extended ISO 50-102400, 3 fps Shooting
  • Full HD 1080p Video Recording at 30 fps
  • Bluetooth Low Energy, Dual SD Card Slots
  • Weather-Sealed Magnesium-Alloy Body
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FUJIFILM GFX 50R Overview

  • 1Description

Distinguished by its svelte, rangefinder-inspired design, the FUJIFILM GFX 50R is a sleek medium format mirrorless camera that is notably portable and highly capable. Revolving around a 43.8 x 32.9mm 51.4MP CMOS sensor, which is paired with the X-Processor Pro image processor, the GFX 50R is capable of producing high-resolution still imagery with an extremely wide dynamic range, a broad sensitivity range up to an extended ISO 102400, and the sensor's large size contributes to a unique three-dimensional look with especially smooth tonal and color transitions. The sensor and processor also enable recording Full HD 1080p30 video.

Benefitting the imaging capabilities is a comfortable physical design, which incorporates a 3.69m-dot OLED electronic viewfinder for bright, clear eye-level viewing. Alternatively, the rear 3.2" 2.36m-dot touchscreen LCD features a three-way tilting design that supports working from high and low angles, even when shooting in the vertical orientation. Additionally, the GFX 50R has a durable magnesium-alloy build that is also dust- and weather-sealed, as well as freezeproof down to 14°F, for working in trying environmental conditions.

51.4MP CMOS Sensor and X-Processor Pro
Utilizing a large, 43.8 x 32.9mm 51.4MP CMOS sensor and X-Processor Pro, the GFX 50R is capable of delivering high-resolution, 14-bit stills with a 14-stop wide dynamic range as well as a broad sensitivity range of ISO 100-12800, which can be extended to ISO 50-102400. The large size of each pixel allows for more efficient light gathering, too, for smoother tonal and color transitions to produce a characteristic three-dimensional "medium format look." Also contributing to several medium format looks, a variety of traditional medium and large format aspect ratios can be used in addition to the standard 4:3, including 1:1, 65:24, 5:4, 7:6, 3:2, and 16:9.

The image processor and sensor also lend a versatile edge to the system, and permit shooting continuously up to 3 fps or for recording Full HD 1080p video at 29.97, 25, 24, and 23.98 fps frame rates. Film Simulation modes, including a Color Chrome Effect to produce subtle tonality among highly saturated colors, can be used in conjunction with video recording, too, to lessen the need for color correction during post production.
Body Design
  • Rangefinder-inspired design is compact and lightweight, and by placing the viewfinder in the upper corner of the body design, it is possible to keep one eye on the viewfinder while surveying the scene with the other.
  • Magnesium-alloy body construction is both lightweight and durable, and the camera system is sealed in 64 places to render it weather- and dust-resistant, as well as freezeproof down to 14°F, for use in inclement conditions.
  • Built-in 3.69m-dot OLED electronic viewfinder offers high-resolution, 0.77x-magnification eye-level viewing.
  • A 3.2" 2.36m-dot touchscreen LCD is also available for image playback, menu navigation, and live view shooting. This LCD features a unique tilting design that moves both 45° downward and 90° upward for shooting from high and low angles, and also tilts 60° to the side to benefit shooting in the vertical orientation when in live view.
  • A series of dedicated dials are placed about the body for independently adjusting aperture, shutter speed, and ISO.
  • Included NP-T125 rechargeable lithium-ion battery provides approximately 400 shots per charge when Auto Power Save is on.
  • Built-in Bluetooth low energy allows for direct wireless sharing of files as well as remote camera control from a linked mobile device.
117-Point Autofocus System
A contrast-detection autofocus system is employed that uses 117 total points, which can be further divided into 425 points, for notable focusing speed and accuracy that is especially beneficial when working with the inherent shallow depth of field of medium format. Focus point selection is possible using the integrated Focus Lever for intuitive switching between points and, alternatively, the rear touchscreen can also be used for selecting precise focus areas. Face and Eye Detection AF are also available to benefit portraiture, and an electronic depth of field scale can be used for more critical selective focus. Additionally, focus peaking is available in manual focus mode as well as frame magnification for more critical focusing.
Other Camera Features
  • The FUJIFILM G lens mount features a short focal flange distance of just 26.7mm to better facilitate adapting lenses and to allow for reduced back focusing distances to better prevent vignetting and promote edge-to-edge sharpness with the GF series of lenses.
  • Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, Pro Neg. Hi, Pro Neg. Standard, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Classic Chrome effect to fine-tune the look of imagery.
  • Dual UHS-II SD memory card slots are featured, and permit saving imagery in a sequential manner, backup/duplicate manner, or in a sorted manner to segregate JPEG and raw files.
  • Mechanical focal plane permits working with shutter speeds from 60 minutes up to 1/4000 sec, and an electronic shutter allows the use of shutter speeds up to 1/16000 sec for working in bright light conditions.
  • Interval shooting is possible for up to 999 consecutive frames with a 1 sec to 24 hour delay between exposures, as well as up to a 24 hours shutter delay.
  • Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
  • A variety of file formats are available depending on your workflow needs, and include uncompressed and compressed raw file types; Super Fine, Fine, and Normal JPEG settings; and TIFF files can be output via in-camera raw file development.
  • A voice memo function lets you solely record your voice for up to 30 seconds at a time for making notes or keeping track of shooting information.
  • 3D Electronic Level can be used to ensure the accuracy of horizontal and vertical lines within your composition.
  • Tethered shooting is possible using Capture One Pro for FUJIFILM software to send images from the camera to your computer for further editing. Alternatively, the Tether Shooting Plug-in PRO for Adobe Photoshop Lightroom and HS-V5 for Windows operating systems are also available.
UPC: 074101040128
In the Box
FUJIFILM GFX 50R Medium Format Mirrorless Camera (Body Only)
  • Plug Adapter
  • Shoulder Strap
  • Strap Clip
  • Clip Attaching Tool
  • Protective Cover
  • Cable Protector
  • Hot Shoe Cover
  • Sync Terminal Cover
  • Limited 1-Year Warranty
  • Table of Contents
    • 1Description

    FUJIFILM GFX 50R Specs

    Resolution 51.4 MP
    Sensor 43.8 x 32.9 mm CMOS sensor, Bayer array with primary color filter
    Storage Type 2x SD card slots
    Both slots support UHS-I/UHS-II SD/SDHC/SDXC memory cards
    File Formats Still Image: JPEG (Exif ver. 2.3), raw (14-bit RAF), raw + JPEG, 8-bit TIFF via in-camera raw conversion

    Movie: MOV (MPEG-4 AVC/H.264)
    Audio: Linear PCM (stereo sound, 48 kHz sampling)
    Number of Recording Pixels 8256 x 6192
    Aspect Ratios 4:3, 3:2, 16:9, 1:1, 65:24, 5:4, 7:6
    Lens Mount FUJIFILM G-mount
    Sensitivity Auto, ISO 100-12800 (Extended Range: ISO 50-102400)
    Exposure Control TTL 256-zone metering
    Multi, Spot, Average, Center-Weighted
    Exposure Mode Program, Aperture Priority, Shutter Speed Priority, Manual
    Exposure Compensation +/- 5 EV in 1/3 steps (movie recording: +/- 2 EV)
    Shutter Type Focal plane shutter
    Shutter Speed Mechanical Shutter:
    4 to 1/4000 sec in P mode; 60 minutes to 1/4000 sec in all other modes
    Bulb and Time modes up to 60 minutes

    Electronic Shutter:
    4 to 1/16000 sec in P mode; 60 minutes to 1/16000 sec in all other modes
    Bulb and Time modes up to 60 minutes

    Electronic Front Curtain Shutter:
    4 to 1/4000 sec in P mode; 60 minutes to 1/4000 sec in all other modes
    Bulb and Time modes up to 60 minutes

    Mechanical + Electronic Shutter:
    4 to 1/16000 sec in P mode; 60 minutes to 1/16000 sec in all other modes
    Bulb and Time modes up to 60 minutes

    Electronic Front Curtain Shutter + Electronic Shutter:
    4 to 1/16000 sec in P mode; 60 minutes to 1/16000 sec in all other modes
    Bulb and Time modes up to 60 minutes

    Sync Speed for Flash:
    1/125 sec or slower
    Continuous Shooting Approx. 3 fps for unlimited JPEGs, 13 lossless compressed raw files, or 8 uncompressed raw files
    Focus 117-point TTL contrast-detection system
    Manual, Continuous, Single focus modes
    AF Frame Selection: Single-Point, Zone AF, Wide/Tracking AF
    White Balance Automatic Scene Recognition, Custom, Color Temperature Selection (K), Preset (Daylight, Shade, Fluorescent Light [Daylight], Fluorescent Light [Warm White], Fluorescent Light [Cool White], Incandescent Light, Underwater)
    Self-Timer Delay 10 or 2 sec delay
    Interval Shooting Yes
    Flash Modes Sync Mode: 1st Curtain, 2nd Curtain, Auto FP (HSS)
    Flash Mode: TTL (Flash Auto, Standard, Slow Sync), Manual, Off
    Hot Shoe Yes; dedicated TTL flash compatible
    Viewfinder 0.5" / 1.3 cm
    3.69m-dot OLED
    100% frame coverage
    Eyepoint: Approx. 23 mm
    Diopter Adjustment: -4 to +2 m
    Magnification: 0.77x
    Diagonal Angle of View: Approx. 38°
    Horizontal Angle of View: Approx. 30°
    Built-in eye sensor
    LCD Monitor 3.2" 2.36m-dot tilting touchscreen LCD
    4:3 aspect ratio
    100% frame coverage
    Video Recording Full HD 1920 x 1080 at 29.97p, 25p, 24p, and 23.98p at 36 Mb/s
    HD 1280 x 720 at 29.97p, 25p, 24p, and 23.98p at 18 Mb/s
    Maximum Recording Length: Approx. 30 minutes
    Wireless Connectivity Bluetooth low energy
    IEEE 802.11b/g/n
    WEP, WPA, WPA2 mixed mode encryption
    Infrastructure access mode
    Terminal USB Type-C (USB 3.1 Gen. 1) terminal
    Micro-HDMI connector (Type-D)
    3.5 mm stereo Mini connector for external microphone
    2.5 mm remote release connector
    DC in 15 V connector (compatible with optional AC-15V AC Adapter)
    Hot shoe
    PC sync terminal
    Battery Type NP-T125 rechargeable lithium-ion battery
    Approx. 400 shots per charge
    Startup Time Approx. 0.4 sec
    Operating Conditions 14-104°F / -10-40°C
    10-80% humidity (no condensation)
    Dimensions 6.3 x 3.8 x 2.6" / 160.7 x 96.5 x 66.4 mm
    Minimum Depth: 1.8" / 46 mm
    Weight 1.7 lb / 775 g (with battery and memory card)
    1.5 lb / 690 g (body only)
    Packaging Info
    Package Weight 3.83 lb
    Box Dimensions (LxWxH) 17.0 x 10.15 x 10.1"

    FUJIFILM GFX 50R Reviews

    GFX 50R Medium Format Mirrorless Camera (Body Only) is rated 4.5 out of 5 by 17.
    Rated 5 out of 5 by from GFXR Medium Format Incredible. Perfect, Best Value & Image Been using and testing the GFXR now for over a week. Also own the GFX50s.  Ive been waiting 10 years for a great value compact Digital MF camera. Image output is of course stellar. I own all 7 current lenses, id avoid getting the 63mm, its rather blahh. Get the 45mm and depending on what you do for sure the 23mm, 32-64, and the 110mm f2 portrait is incredible!   Amazing camera the GFXR with NOTHING to complain about, and I LOVE to complain!  Its made in Japan by the way, and despite images of the camera, its actually very lightweight.  You should get the Fuji GB-001 handstrap for it, which was made for the XT1 but fits perfect on the GFXR!   My GFXR and my Godox 685 with XPro trigger, and a couple lenses is my many years wait DREAM PACKAGE camera kit (as the English love to say).  A++ camera
    Date published: 2018-12-01
    Rated 5 out of 5 by from Image quality game changer I’ve been shooting with this now for a solid few weeks and have run a couple thousand frames through it, mostly of landscapes/nature but also some urban/street. As the headline implies, the image quality of the RAW files is nothing short of amazing, between the dynamic range, the detail, and the colors: it lived up to the hype and high expectations. From a handling perspective, it’s slightly lighter weight than my full frame DSLR and the lenses balance well with it (I have the 63, the 32 - 64, and the 23). I also very much like the controls and quickly got used to them. I expected the autofocus to struggle a bit but honestly it really hasn’t: yes it’s a little bit slower than my DSLR but not meaningfully enough to be significant, particularly for the kind of work I do. The only downside is shooting handheld in fairly low light: the glass isn’t terribly fast, and without OIS you need to make up for it in ISO, which in certain situations will have me reaching for my DSLR instead. But that’s ok: I didn’t expect it to replace everything in my kit. For the areas where it DOES work best—and there are many—it’s a noticeable step up from my full frame camera and I’m very glad I made the investment. Highly, highly recommend to anyone considering taking the plunge. It’s not a small investment, but you won’t regret it.
    Date published: 2018-12-25
    Rated 5 out of 5 by from Love The Brick! Great camera with remarkable image quality. Just carried it around Death Valley for a week with the 23mm and 32-64 zoom. No problem! (and Im 66). Is it perfect? No. Is any camera perfect? No. Do I wish it had the same type of LCD as the X-T3? Yes. And the battery life is very good. Would I buy it again? Yes! Do I recommend it to landscape photographers? Absolutely, yes!
    Date published: 2019-02-23
    Rated 5 out of 5 by from If you an X-Pro, this is your next step For a few years, I have been using an X-Pro 1, then X-Pro2.  Decided that my dream for the past 30 years to have a medium format camera was due.  The GFX 50R is a very smooth transition from the XPro, and that is why I decided to stay on the Fuji train.  Instantly like the feel and size of the camera. Controls are as intuitive and functional of the XPro series.  I miss the ability to turn off the LCD display in the view finder and look straight through like in the XPro series, but I think this camera is about slowing down a little, composing the photograph and then shooting.  Image quality is excellent.  Integration with LightRoom and Photoshop is all there.  Still working on tethering and a few other options that are not available in the XPro series (like focus bracketing).  First series of informal portraits were excellent.  Can not wait to get out in the field and shoot some landscape & architectural shots. Dont have a lot of criticism at this point because I have not found the limits on this camera.
    Date published: 2019-02-15
    Rated 5 out of 5 by from awesome camera, highly recommended This is an upgrade from my Nikon D810, which I traded. I was doubtfull whether to buy the D850 or this camera and when the kit rebate came out, I made the plunge to get this outstanding kit. I am also a Fufijilm shooter (XT-2 and XE-2) so it was very familiar to handle the GFX 50 R for the first time. The camera looks great, it is very compact for this size and the 45 mm f2.8 ir rock solid. I plan to use this beast with my four Nikon Tilt/Shift lenses and also with this 45 mm f2.8 lens for panoramas. Here, I am uploading 2 pictures: one is a 224 stitched panorama in 360 miniplanet of the Embassy of Argentina in Washington DC, taken with the Fujinon 45 mm f2.8 and the other is of my office, with my Nikon 19 mm f4 tilt/shift at f8 with  the Fotodiox Adapter and 4 degree of shift upwards, with zero vignetting (2 Nikon Speedlights were used). Both show awesome detail.  Hope, it can shown an idea for potential customers.
    Date published: 2019-02-13
    Rated 5 out of 5 by from Best affordable medium format On my opinion this device is perfect for people, who want to begin using medium format. If you know what this camera is made for you can’t find any weak points of it. The sensor is a bit old, but better to say trusted by many professionals. There are lot good things to say about this camera, but it can be easily googled. So I’m still testing it and I enjoy the process. If you are not sure about this purchase, it’s better to have some time and to learn more about it. This camera is not for beginners but it’s perfect for enthusiasts and professionals. If you buy it cosciously you wouldn’t regret a moment. It’s is worthy any penny you spent on it. Also good to mention that GFX system is good to invest your money in, specially lenses, I think this system has a good future.
    Date published: 2018-12-17
    Rated 4 out of 5 by from Great camera -- and beware if you wear eyeglasses. GFX 50R with 45mm lens is a great camera.  Lighter than it looks and great controls/looks/operation unless you wear eye glasses and cant get close enough to viewfinder to see entire frame at once.  Diopter cant correct enough for old eyes.  Beautiful work by Fuji.  Wonderful service by B&H and forced to return because I cant see entire EVF and working off of LCD not what I need.
    Date published: 2018-12-24
    Rated 2 out of 5 by from caution I am a pro shooter for over 30 years shooting architecture as well as studio advertising work. I was very happy to finally see an affordable medium format option released and I purchased the GFX50R immediately upon its release well as several GF lenses. After about 2 weeks of testing, the first body went bad electronically. B&H replaced it and I continued testing and shooting. By this time I had grown to love the image quality so much I was fairly attached to making the system work. In the end it was repeated and strange issues with moire that forced me to return the whole system. I agree that the lenses and image quality as a whole are superb I am confounded by the lack of mention of moire from other reviewers. In multiple different situations, not at all the usual suspects, I had geometric as well as color aberrations that could not be fixed in any available software. I did spend many hours with Fujis tech support and in the end they agreed what I was seeing was strange but could offer no fix. My hope is that Fuji will address this in future generations and that I can revisit this camera sometime in the future. For now I am back to my trusty Nikon D850.
    Date published: 2019-03-18
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    Does the camera have in-body image stabilization?

    Does the camera have in-body image stabilization?
    Asked by: Mark
    No, the FUJIFILM GFX 50R Medium Format Mirrorless Camera does not have built-in image stabilization inside the camera body.
    Answered by: Manzell
    Date published: 2018-12-16

    Having a lot of Canon "L" glass, I'm wondering if ...

    Having a lot of Canon "L" glass, I'm wondering if anyone has used the ArtTech or Fotodiox fully auto lens adapters and what was your experience? Tx
    Asked by: Ira
    Fotodiox pro on 24-105mm f4L works ok in 35mm mode but MF mode has crop circles. Slow Auto Focus, lots of focus hunting and missed focus locks. IS and EXIF work fine. 70-200mm f4L works great at 100-200mm with light vignetting in MF mode. Still focus hunts alot but manual focus is awesome as lens focuses past infinity no problem.
    Answered by: Josh
    Date published: 2019-05-17

    Since the body does not have stabilization, do ...

    Since the body does not have stabilization, do any of the lenses have it?
    Asked by: Doug
    Of the seven (7) Fujifilm G-Mount lenses we carry in our inventory, the FUJIFILM GF 120mm f/4 Macro R LM OIS WR Lens, B&H # FU1204LMWR, and the FUJIFILM GF 250mm f/4 R LM OIS WR Lens, B&H # FU2504RLM, indicate they have optical image stabilization built into the lens.
    Answered by: Manzell
    Date published: 2018-12-28

    Is the 63mm lens considered the normal focal ...

    Is the 63mm lens considered the normal focal length lens for this camera? I thought 80mm was always considered the standard normal lens for medium format.
    Asked by: William
    Normal depends on the size of the sensor, as there’s not only one medium format sensor, but it applies to different sensor/film sizes that shifts the normal value. It’s an equivalent to 49mm on a 35mm camera.
    Answered by: Anonymous
    Date published: 2019-05-16

    What is GFX 50R hdmi output video specification? ...

    What is GFX 50R hdmi output video specification? Is it support 10-bit 4:2:2 externally? Couldn't find any info about it in Internet. Thank you!
    Asked by: Oleksandr

    OH, NO! You really can’t see the full frame while ...

    OH, NO! You really can’t see the full frame while wearing eyeglasses? I saw one Youtube review where the guy held the camera what looked to be an inch from his eye and he said he saw the whole image perfectly fine. Could you please clarify?
    Asked by: William
    You'd have to confirm that the 50R is the same (I have the 50S), but with it, one of the EVF options is to reduce the size of the image so it can be seen in full with eyeglasses. I do this and it works perfectly. I was sorry to see that the other guy returned his camera when he probably didn't know about this feature.
    Answered by: Danny
    Date published: 2019-02-21

    Hi, Q about the gfx 50r, if you choose 1:1 ratio, ...

    Hi, Q about the gfx 50r, if you choose 1:1 ratio, BW film simulation and shoot RAW+Jpeg do you see 1:1 BW in the viewfinder? Thanks!
    Asked by: Uladzimir
    Yes, you see the cropped 1:1 in the viewfinder in BW simulation
    Answered by: ken
    Date published: 2019-02-13
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